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Photorealistic edit using the input person photo as strict identity reference: keep the same face, facial features, skin tone, hairstyle, outfit and accessories unchanged (no face swap, no identity change). Only change expression, action, perspective, background. Expression must be strong tsundere (interactive): her boyfriend films too close; she says "stop filming," but she doesn't leave—she's secretly amused. Facial actions: clearer side-eye, more noticeable brow lift, lips in a small pout or pressed, a stronger one-sided smirk like she's holding back a smile, with a slight shy warmth in the cheeks; absolutely no rage, no threatening hostility. Body language: body slightly turned away but staying close; one hand reaches toward the lens to lightly block/push it away, as if grabbing the phone but stopping mid-motion (half-hearted refusal); the foreground hand is a bit larger but not extreme. The other hand can be crossed on the chest or lightly tugging clothing to emphasize the awkward sweetness. Camera: close mild wide-angle (20–28mm) with slight perspective exaggeration (foreground hand 25–40% of frame), face still in sharp focus. Solid pink seamless studio backdrop (subtle gradient ok), clean soft studio realism. Avoid: aggressive forceful grabbing, vulgar expressions, identity/hair/outfit changes, extra fingers/deformed limbs, text/watermarks/frames.
Photorealistic edit using the input person photo as strict identity reference: keep the same face, facial features, skin tone, hairstyle, outfit and accessories unchanged (no face swap, no identity change). Only change expression, action, perspective, background. Expression must be strong tsundere (interactive): her boyfriend films too close; she says “stop filming,” but she doesn’t leave—she’s secretly amused. Facial actions: clearer side-eye, more noticeable brow lift, lips in a small pout or pressed, a stronger one-sided smirk like she’s holding back a smile, with a slight shy warmth in the cheeks; absolutely no rage, no threatening hostility. Body language: body slightly turned away but staying close; one hand reaches toward the lens to lightly block/push it away, as if grabbing the phone but stopping mid-motion (half-hearted refusal); the foreground hand is a bit larger but not extreme. The other hand can be crossed on the chest or lightly tugging clothing to emphasize the awkward sweetness. Camera: close mild wide-angle (20–28mm) with slight perspective exaggeration (foreground hand 25–40% of frame), face still in sharp focus. Solid pink seamless studio backdrop (subtle gradient ok), clean soft studio realism. Avoid: aggressive forceful grabbing, vulgar expressions, identity/hair/outfit changes, extra fingers/deformed limbs, text/watermarks/frames.